A 36 Year Old Dream Comes True 

 'I Introduced Tom Paxton'

 

Whilst you look at these pages you can listen to me singing 'Wish I had a Troubadour' - just click the link below - as I did 23rd February 2005 in the Tyne Theatre Newcastle upon Tyne, England,  to introduce Tom Paxton at one of his last shows.  It was my dream for 36 years to perform in concert with him. 





From America

From UK

The Speech Click Here

The Inside Story Click Here 

  Pictures Click Here

Miscellaneous Click Here

So with a couple of weeks perspective


Comedians and Angels



Under American Sky Tom Paxton and Anne Hills



Tom Paxton Book The Honour of Your Company



A 36 Year Old Dream Comes True

Tom Paxton

Below is the text of the speech which I had prepared.  On the night I found it better to shorten it a little. My version of 'Wish I had a Troubadour' is on my CD 'My Passport Says Planet Earth',  you can order it from this web site.

 

Hello. Some of you are thinking ‘who’s this bonnie birne’ ? Some others are thinking ‘boy Paxton’s put on weight’, some others are thinking ‘last time I saw him he had hair and a funny hat,’ and there’s a woman over there, I heard her, as I walked up she said, out loud, ‘wow the older he gets the sexier Paxton looks !’

For those of you with 20x20 vision, opera glasses or hind-sight, you already know that I never was, never wanted to be and never could be Tom Paxton, but before you rush out for a refund, I am merely a secular John the Baptist here to tell of the greater to come. For those who are wondering why I am doing this and not you, I have short story to explain.

I would like you to know that you are a special audience for. Tonight you are watching a 49 year old man realising a 36 year old dream and without you it would not be possible, So thank you.

Tom Paxton’s music came to me when I was 13, I learned to play guitar to sing his songs, I decided that one day I wanted to do a concert with Tom. I wrote some songs of my own and jumped into the Folk Club circuit where I met Marianne Segal and Dave Waite, they told me that they had done shows with Tom when their record Fly on Strangewings was released, by coincidence it has just been re-released along with another CD called Paper Flowers, I hung around them as much as I could but as became a professional I had to travel 22 countries, I did the radio the TV and I made the front page of many newspapers. In 1975 I was here in the North East on summer season in Berwick on Tweed, I did shows in the Post Office Tower in London, in a prison in the middle of the South China Seas, I got involved with Opportunity Knocks and made my first record exactly 30 years ago ‘like a Puppet on a String’ arranger Kenny Woodman. I did shows in pubs and clubs and for Lords and Ladies a Princess actually asked for my autograph once, in 1993 the Independent newspaper published almost a full page about my work and one line in the article said ‘and in the evening he became a roving Tom Paxton’, but I didn’t know how to get to do a show with Tom. In 1997 the business decided to give me a rest.

Later I opened a restaurant and I started singing a bit for the guests, then a fellow came in and asked me to go to see Santana with him, I said no but if Paxton comes by ‘your on’. He said ‘Paxton’s dead, yeh he was going about in the 30’s and 40’s’ I said ‘no he’s not,’ ‘yes he is,’ ‘no he’s not….’ so I looked on the internet and crackle, crackle brand new web site. Contact ‘Dear Tom my friend thinks you are dead—thank heavens you are still alive. You will not remember me but just before I made my first record you gave me some advice, to be the boss in the recording studio, I failed, however, I had a great career because you gave me the inspiration to get started. I heard Paul Simon said thank you to you recently so here is my thanks’ bladie, bladie, blar… To my astonishment next day Tom wrote back. So I scanned in the article from the Independent and e-mailed it thinking that was the end of that.

However the dream had not died, a concert with Paxton, why not at the restaurant we have large field beside it, open air like the good old days. Dear Tom will you come and sing at my restaurant ….well we nearly made it work, but not quiet.

 

The Photos here were taken at the 

Tyne Theatre by Urs Kneubuehl  © 2005

My e-mail address is dreamscometrue@almondgreenway.com and by now I knew that Tom intended to come to a perfect cadence and spend more time with his with his grand children. So I went to my tape machine to record a song, it was broken, so I went to a studio, the owner comes to the restaurant, ‘I want to record one song, the studio owner egged me on, he knows where there is money in the music business, and before I knew what was happening I had recorded a CD full of songs. I bundled up a package with a letter to Tom’s management, ‘Could I be the representative of all the people who had a career in music because they were inspired by Tom, and at one of his final concerts, introduce him to say thank you to him by singing one of his songs ‘Wish I had a Troubadour’ ? So here I am, dreams do come true, I am Almond Greenway and I will sing for you to introduce Tom, Tom Paxton has provided so much for many people like me and given us the inspiration to start up, and now, he has provided impetus for a new surge of career from me with a new CD and frankly I have only given him so little in return, I bought a few of Tom’s albums a few concert tickets, I can’t remember but they didn’t cost much, and you have only a tiny notion of what I got back.  I don't know if you have ever considered that aspect of a mans career,  but great men inspire others.  So when I have finished singing, whatever you feel about my performance don’t clap or boo for me, stand on your feet and clap your hands raw because you are here to experience one of the last performances of, the greatest Troubadour of our age Tom Paxton…...

The Inside Story

I arrived at the theatre in the cold and the snow,  there was a bitter wind and it was getting dark.  I had done all I could to arose interest in this concert press releases and CD's to all and anyone in the media Newcastle's 'Journal Newspaper'  published a nice article 'Paxton's moment's so sweet'.  I had rehearsed and rehearsed and nothing more could be done now the moment had arrived.  My wife was nervous,  she had been since I told her that this was going to happen,  now she was truly nervous.  She told me later that she had been prepared to fight our corner should someone suggest that there had been a mistake and the concert was not to be.  After all people had bought tickets from home and the local press had a reporter on the scene and we had family members in attendance. I to had a little song singing in the back of my head -'This is for real,  this is for real'  For it was something I had lived in my head for so long it was strange to feel my body floating into the real life situation.  Something told me that there was going to be a problem at the Stage Door, but no,  a pretty young woman open the door and ushered us in just like I was the star of the show. 

Up the stairs through the battered paint work and onto the old Victorian stage.  The Ghosts of a thousand shows whistled around the fly's and to the scenery painting floor, which seemed to have long since vanished.  It was all black paint and a raked stage. Red velvet curtains and boxes which turned in towards the audience,  so that in older times the audience could watch not only the show on stage but the expensive people who had brought the expensive seats so that they could be seen in the finery.

So we plugged in and switched on and I sang my song for the sound check.  The Stage Manager,  a young man with a Degree in Theatre, called Dan,  seemed to be impressed and gave me the thumbs up.  So nice to be encouraged,  so nice to have a compliment.................Then it was out into the cold night air and snow flurries to find some fun and dinner for the children.

When we returned my family entered the theatre as guests and I went to the stage door up the stairs across the stage and into the dressing rooms.  They were not that stylish,  but they were functional with showers and a 'Green Room'.  There I found him, draped over an arm chair,  buried in some interesting paper work.  He had large round spectacles similar to those worn by his old friend John Denver,  but with black rims.  He invited me in and really did his best to make me feel that we had always known each other.  I wanted to ask about John Denver,  about the Isle of Weight Festival 69',  about which of his albums pleased him the most,  about the style he uses to play guitar, about how and where he learned to play, about his famous hat,  about all the artists who are his friends,  about Dylan and Paul Simon. I wanted to find out about  songs 'Now That I've Taken My Life' and 'Back in the Trees' etc.  However,  I didn't because I was enjoying just being there and the conversation was easy anyway.  Then my mobile phone rang and as I apologised he sprang into action to do something and I answered the call. My sister in law from the theatre bar to wish me luck.

He was very alive and totally focused on the job in hand,  he was there to provide the audience with the entertainment they had come for and he had his finger on the pulse.

Time to get ready,  no snobbish stuff about this is my dressing room,  this is yours.  Then he picked up his guitar and I said  "Is that the signature  model that Martin Guitars have made for you ?"  He said  "Yes try it out."  I played Tom Paxton's guitar and then his guitarist and he played a couple of songs and I stood one foot away in perfect stereo.

Then Jez Luton,  the guitarist,  said "I have to introduce you after my two songs,  what shall I say ?" Tom said '"Introduce him as our Special Guest",  I thought has this man swallowed the book 'How To Win Friends and Influence People'  ?  Make people feel important,  I did feel important.

Some artists,  that I have worked with,  get very up tight before a show and can do nothing but concentrate on what they are about to do,  I never really had that problem myself and Tom does not either,  but he was listening and he knew what was going on if it had been my show I would have as well,  as it was I was in the middle of this dream and Tom said "He's finished his first number,  you'd better get out there."  So on to the wind swept stage I strode it was freezing the wind howled up the stair case and finished in the middle of my back.  No time to think about that,  I was on. 

Some have asked was I nervous, and the answer has to be no,  my wife was nervous enough for the both of us,  but that was really because she loves me.  Nervousness comes when you are not prepared,  I had sung the song several times every day since I was told I could do this,  I practiced the speech every day in the car or in front of the mirror and I had waited 36 years for this and wanted to wallow in this experience.

There I was on stage the lights glaring down on me and the audience hushed and attentive and responsive,  and they listened and they laughed,  and I sang and Tom's guitarist played lead for me and I did my best,  but in my heart I felt that the sound check version was better,  but only I know that,  Dan gave me the thumbs up and Tom said "That was a rear treat".  I watched him from the wings and marvelled at his long career and how relaxed he was and deep in my heart I wished that may be I had built a following in the same way as Tom,  but of course we make our decisions and there were good reasons for them at the time.

After the show it was out to sign the autographs but they really only came to see Tom and he was the true professional listening and remembering concerts from years ago when he had signed the ladies daughters Birthday card,  and for all I know he did really remember,  it matters not Tom is a great man and anyone who wants to say different will have me to answer too................

Pictures

 

Here is the Music Newspaper NME Tom Paxton Feature